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Showing posts from March, 2016

A Poet's Journal: February 4th, 2014

February 4th, 2014

It is in our nature to fashion understanding after intellect; from the first breath of consciousness it has been said that man is the thinking animal and whether we agree or not, the tradition with which our thoughts move is to place one object up against another, or one thought or memory up against another, and proceed through reasoning or logic to come up with a strategy that will invariably prove or not prove that one is better or worse than the other.  We place upon the scale of importance efficiency and fact, and hold with words those ideas and matters of thought that have not yet been fully understood.  To speak, or more generally, to use the senses, is our way to enlighten understanding, whereupon it is only those things that are left unsaid, or that have yet been revealed, that the intellect truly understands.  By the concept and definition of a word, we give boundary, by which is meant exclusion, so that the objective reality that we come to take as truth w…

Mineola: The Spirit of the War-Path

Here is the first act of a drama from Woodland Poems--feel free to comment!
Scene: A wood near an Indian Village (late evening) Enter: Two women (Mineola and Nakakowa) gathering wood Mineola: See you how this dark world in silence be? I think the evening awakes anxiousness Just as the morning delays it: Hear you? You may hear the birds, but they are far away; They sing, but their songs are echoes, long, faint; And yet they tell a truth, but it is scarce: That we are far from ourselves when we’d be The most intimate, and that our precious Moments are thoughts too lazy to be felt— And this, this, the worst sort of anxiousness! Nakakowa: And why? Mineola: Such times as this, when men are tired, I am awake, but cannot act myself, And being another, am an enemy To myself who was a friend, and un-friend The man who rises fresh to his passion.

Lost Poet Series: John Clare

If ever he were consoled by his own voice, even through loneliness of heart and failure of spirit, John Clare merits the attention of those who, not through pity, but of genuine desire, seek the inner motivations of man. His poetry, strange and wonderful, still remains intimate to those with a solitary moment to spare and his descriptions of the countryside offer a reason to escape.
Born on July 13th, 1793 at a time when men could still gain livings by titles such as 'wandering fiddler', of which Clare's grandfather was one, or 'wrestler and corn thrasher' as was his father, our poet grew up. Often said to be dreamy and shy--for one day he had gone off to search for the horizon--yet the boy gained from leisurely entertainment a scanty upbringing in poetry while listening 'to a curious old lady called Granny Baines' recite folk songs and ballads. Among the countryside he roamed much, but desiring in those early years to write verse, he was said to sit on hi…