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Showing posts from February, 2016

The Art of Memory

  The Art of Memory When we can traverse the plains of memory, stopping at each fire to warm ourselves before we start again on our journey, there is a world inside a world that keeps going on to infinity.  If we are lucky enough to hear the eternal melody that is at work in these moments, many fine hours may come upon us.   But sometimes the solace and hospitality are too much and we live with our new found companions, taking them along wherever we go, as a shadow upon our eyes.  The memories of Thoreau, or the early frontier narratives of Indian captivity, are something that I have felt eternal and unchangeable in human nature, not for any piece of information they have given me, but because my melancholy has always found peace in their environment.  For some the world is old or the world is new, but the point is that we tend to look at it through memory.  One memorable event confounds all future celebrations; we remember so as not to forget, but we do not remember that we are able t

Valentine's Day Excerpt from Woodland Poems

Here is a Valentine's Day excerpt from Woodland Poems entitled: Atheotha and Hayuya Hayuya: Love as dreams of deepest matter of night,                For love that sleeps I take my care,                Love purest-born, accepting sight,                Forlorn of woman's touch upon my hair:                For love of Atheotha I repair. Atheotha: Never have I dreamed of sympathy's sight                   For more to see in love to dream at night,                   Of he to be my only care;                   For love, my cares already white,                   With beads and purple shells I braid my hair. Hayuya: This moon was white this night my love was made,                The night I saw a gleaming light,                Dancing in the green-corn parade                When quick my hand caressed her passing sight:                Our eyes soon met and thought that love just might.                When I was touched as by he

Lyric Poetry

Lyric poetry lives in its present means by he who composes it. From it the cloud extends which overtops the mountain, soon to leave it snow-clad and brilliant in the morning light. In it, the human condition is apt and sentiments that have been felt by the first of humans, the same as those that will be felt by the last, are with skill waved off in concise sentences. None can be long-winded in the lyric and succeed. A lyric, then, is a poem of no great length which embodies a mood wherein the poet has felt intensely his idea and the words which represent it. Some of the most recognized examples of lyric poetry in the English language are Shakespeare's sonnets, but some interesting examples may also include Sir Philip Sydney, who laid the ground-work for Shakespeare's sonnets; William Collins with his Ode to Evening; John Keats with his famous cycle of odes; or the following example from Emily Dickinson: The Grass The grass so little has to do-- A sphere of simp