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Showing posts from March, 2016

A Poet's Journal: February 13th, 2015

  February 13th, 2015 Aiako Harria yesterday, first time this year; overtaken by the beauty.  It is at about this time along the hillsides and in the thickets that the brown of the end of winter starts mixing with the green of the beginning of spring. But an outing like this, though refreshing, can do nothing for the interior state of mind when one is tired and helpless; it only offers a slight reprieve, but we are back again, missing it: the sights, the sounds, the smell of the forest--somehow it only adds to the misfortune.  It is difficult to wander along the thin trails because we have built up a reason and an inspiration for our coming; there is a goal, a new plant to find; something to be attained, a new path to take.  All the expectation dies with each step, and yet it is still beautiful, still appealing, still the key to some secret meaning we have created for ourselves; and when we stop and look at it all, we realize we are merely the sum of our attainments, the sum that keeps

Mineola: The Spirit of the War-Path

Here is the first act of a drama from Woodland Poems --feel free to comment! Scene : A wood near an Indian Village (late evening) Enter : Two women (Mineola and Nakakowa) gathering wood Mineola : See you how this dark world in silence be? I think the evening awakes anxiousness Just as the morning delays it: Hear you? You may hear the birds, but they are far away; They sing, but their songs are echoes, long, faint; And yet they tell a truth, but it is scarce: That we are far from ourselves when we’d be The most intimate, and that our precious Moments are thoughts too lazy to be felt— And this, this, the worst sort of anxiousness! Nakakowa: And why? Mineola: Such times as this, when men are tired, I am awake, but cannot act myself, And being another, am an enemy To myself who was a friend, and un-friend The man who rises fresh to his passion. I am wrong thus when I would be most right. Nakakowa: Then I would say to you, Mineo

Lost Poet Series: John Clare

If ever he were consoled by his own voice, even through loneliness of heart and failure of spirit, John Clare merits the attention of those who, not through pity, but of genuine desire, seek the inner motivations of man. His poetry, strange and wonderful, still remains intimate to those with a solitary moment to spare and his descriptions of the countryside offer a reason to escape. Born on July 13th, 1793 at a time when men could still gain livings by titles such as 'wandering fiddler', of which Clare's grandfather was one, or 'wrestler and corn thrasher' as was his father, our poet grew up. Often said to be dreamy and shy--for one day he had gone off to search for the horizon--yet the boy gained from leisurely entertainment a scanty upbringing in poetry while listening 'to a curious old lady called Granny Baines' recite folk songs and ballads. Among the countryside he roamed much, but desiring in those early years to write verse, he was said to si